When people find out I go to a figure drawing group on Wednesday nights, they sometimes ask, “Isn’t that weird? I mean, you’re there drawing, and the model isn’t wearing…
This summer has been a wonderful summer for figurative art – both in my own work and in Boston! I have been regular attending a few figure drawing groups and really enjoying the opportunity to really engage with the figure outside the classroom. I have been so busy the last couple of years teaching my figure classes that I haven’t actually taken much opportunity.
The compositions of frescoes by Masaccio, Piero della Francesca, Luca Signorelli (to name only a few), are so complicated they can be overwhelming for a viewer — and even more overwhelming for a student of drawing. I have found that working on a team and looking for simple moments of overlap and intersection can allow an entry point into serious investigation of some of these masterpieces.
When classes are in session I don’t always have the time I would like to engage in long studio sessions, but I always try and keep things moving by doing small drawings, watercolor studies, or even just taking a few minutes during my figure drawing class time to make a few gesture drawings while the model is posing. These drawings are some small studies I did in my parish church (Our Lady Help of Christians in Newton).
I visited the Art Institute of Chicago on Thursday during my vacation for their Target-sponsored Free Thursday evenings. What a wonderful a gift to the people of Chicago city to offer free admission from 5-8pm once a week – there was a line to enter at 5:00 and the museum was packed with people all evening. The new wing is huge, with the capacity to give their spectacular collection of 20th century art the viewing space it deserves.