This summer has been a wonderful summer for figurative art – both in my own work and in Boston! I have been regular attending a few figure drawing groups and really enjoying the opportunity to really engage with the figure outside the classroom. I have been so busy the last couple of years teaching my figure classes that I haven’t actually taken much opportunity.
The compositions of frescoes by Masaccio, Piero della Francesca, Luca Signorelli (to name only a few), are so complicated they can be overwhelming for a viewer — and even more overwhelming for a student of drawing. I have found that working on a team and looking for simple moments of overlap and intersection can allow an entry point into serious investigation of some of these masterpieces.
This is one of those days I would love to be back in Italy – it is warm, but not too warm, but somehow the lure of my suburban street is not as strong as the lure of an Italian street – when I am there I am always pulled outdoors to smell and see and greet and experience some one or some thing that is “new”. But part of the lure is that there is so much that is not new – it is the very, very old which is so appealing.