Category

Art and Faith

Annunciation/Birth

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figurative,oil on canvas,8x8, price $300,Annunciation after Solario

The Feast of the Annunciation was moved to April 8 this year, since March 25 fell during Holy week. The Annunciation celebrates the moment when the angel Gabriel announces to Mary that she will bear the Savior. This series of Annunciation master studies I have shared over the last months is about waiting, and the expectation of new life. At times this “new life” has been a metaphor for new beginnings, forgiveness, spiritual renewal, but in 2012 the time of waiting was literal, as I waited, in pregnancy, for my baby girl to be born…

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Fede I, Oil on Canvas, 12x12, Architecture, Price $600

Convergence Exhibit – Reception March 23

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On display now at the Ashland Public Library is a series of my prints and paintings entitled Convergence. The title “Convergence” has two origins, and these two meanings themselves “converge” in the paintings. In part, “convergence” describes how, in ecclesiastical architecture in particular, celestial and terrestrial converge in built space.

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Annunciation after David by Michelle Arnold Paine

Annunciation after David

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This Annunciation transcription will be included in the exhibit Compassion: The Good Samaritan, opening at Adams ArtSpace, Harvard College, Cambridge this weekend.

The Annunciation is the moment when God comes to earth – when human and divine come together to become incarnate in Jesus, Savior of the world. The Incarnation, God’s greatest act of compassion.

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Annunciation after del Cossa

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Appropriate to post another Annunciation transcription today, the Feast of the Archangels (Gabriel, Michael and Raphael). This particular Renaissance Annunciation infuses Classical architecture into the Biblical story of the Gabriel’s announcement to Mary. The painting also shows off the artists’ knowledge of perspective in the way that the artist places the angel in the foreground.

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Annunciation after Beccafumi, Oil on Canvas, 6x6 ©2012

Transcriptions: After Beccafumi

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Another in my series of Annunciation transcriptions. The original Mannerist painting was completed in 1546 by Italian Domenico Beccafumi and is currently in the little town of Sarteano near Siena, Italy. I’m not always a fan of Mannerism, but I like the mirrored swooping curves in this painting and the sense of motion it creates, so different from the very still, stable Annunciations of Fra Angelico.

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Church of the Transfiguration, Cape Cod

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A few weeks back we spent the weekend on Cape Cod for a little get-away. One of our excursions was to the Church of the Transfiguration in Orleans, Massachusetts. The Community of Jesus is an ecumenical Benedictine community made up of brothers (friars), sisters (nuns), and laypeople. They began building this testament of faith in 1997, hiring architects, liturgical consultants, and artists from all over the world to complete the narrative of salvation the building tells.

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Annunciation after Duccio, Oil on Canvas, 6x6, ©Michelle Arnold Paine

Annunciation after Duccio

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What is the purpose of “copying” a work of art? Franklin Enspruch phrases it like this in a review of Wendy Artin’s series of watercolors of the Elgin Marbles: “She is at once paying the sculptures due homage, studying them for artistic clues, and using them to reach upward in ambition and scale.”

Somehow, in entering in to someone else’s creation, one often emerges at the other end with a clearer, renewed sense of voice and direction.

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Oil painting Annunciation after Lorenzetti ©Michelle Arnold Paine 2012

Annunciation after Lorenzetti

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I love the brilliant blue and of Mary and her contemplative gaze in the Annunciation altarpiece by Ambrogio Lorenzetti. Lorenzetti was a Sienese painter in the first half of the 14th century and this work of his is presently housed in the Pinacoteca Nazionale in Siena, Italy. My version is tiny, only 6″ x 6″, but I’m looking for the contemplative quality he captures.

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Beacon, Michelle Arnold Paine painting oil on canvas

2012 Olympics and Run with the Fire

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The Olympics are always an Event: even non-sports fans like me turn on their televisions to watch the grace, strength, speed and beauty of what the human body can accomplish. The passing of the torch leading up to the Olympics is also a moving part of the event; it is expressive of our human journey on this earth, of friendship across nations, and fraternity even in competition. I am excited to be included in a digital exhibit which will be released in tandem with the London Olympics.

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stpeters-sm

In honor of John Paul II on his Beatification

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Some recent paintings and drawings of Saint Peter’s Basilica in Rome, on the occasion of the beatification of Pope John Paul II. John Paul II prayed for a “Primavera dello Spirito”: a Springtime of the Spirit. His prayer for a “Springtime of the Spirit” was answered in a multitude of ways, from the flood of youth who attended the World Youth Days (which he began).

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"Resurrection" – Goetemann, Mahler, Signorelli and Maitani

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On Friday I made a little trip to see a cycle of paintings by  Gordon Goetemann at Andover-Newton Theological School in Newton Center, MA. The cycle of large paintings is inispired by Gustav Mahler’s 2nd Symphony in C Minor — the “Resurrection” symphony. I had found out about it from a friend who had seen the show at the Cape Ann Museum in Gloucester. We were both interested in it because of the time we spent in Orvieto, where there are two great artworks representing the Resurrection of the Flesh…

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Our Lady of the Barren Tree

The Call to Beauty –

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Cardus has just published another of my paintings in their online journal Comment.

Our Lady of the Barren Tree is an image of hope: the strange beauty of winter, in which it requries faith to believe that trees and grass are only “sleeping” and will return with new life and growth.
The tree, the vine, the branches – these images evoke the memory of Eve in the garden of Eden whose disobedience eventually brought on the exile of humanity from paradise. Eve’s disobedience was eventually redeemed in the act of Mary’s obedient “May it be to me as you have said”.

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