Collecting Reference Material A year ago I wrote about the destruction waged by earthquakes in central Italy, and the effect it had on the Benedictine Monks of Norcia, whose community was founded on the birthplace of the Saint Benedict and his sister, Saint Scholastica. Last winter some friends of the Monks here in Northwest Ohio …
A version of this post first appeared on the blog of Christians in the Visual Arts: Jubilee Year of Mercy CIVA’s newest traveling exhibit, Faces of Mercy, is halfway through its tour of the United States. I curated this exhibit over the course of 2015 and 2016. The inspiration for the title came from Pope Francis’ …
This reflection was first published on The Pope’s Worldwide Prayer Network in August, 2017. This month Pope Francis asks the world to pray for artists: That artists of our time, through their ingenuity, may help everyone discover the beauty of creation. The Pope’s Prayer Intention for Artists invites us to ask: How can we become …
Mind-body-spirit: expression and science When I was in my early twenties I lived in Italy for several years, and it was there that I began to be more conscious of the mind-body-spirit connection. I had a friend who was a physician and dance instructor. She beautifully integrated the emotional and the scientific in her very …
Exhibit At Perrysburg Municipal Building I have been so impressed at the way several communities here in Northwest Ohio are thinking outside the box for ways to bring art into public spaces. My sacred architecture paintings and prints will be exhibited at the Perrysburg Municipal Building from March 6-April 24. The exteriors of local churches …
Purchase Mary the Chalice print This medieval hymn explaining the role of Mary in God’s plan of salvation is the inspiration for an entire series of paintings and prints which I have been working on for several years. Mary the Dawn, Christ the perfect day; Mary the Gate, Christ the heavenly Way. Mary the Root, …
From now until November 4, 2016 I will donate 50% of net proceeds from the sale of original artwork on www.michellepaine.com and my Etsy store to the Monks of Norcia Foundation to assist in re-building after the 2016 earthquakes. Re-Building Culture: Then and Now The Monks of Norcia know what it means to re-build. In the year 2000, the …
When I was a child I wanted to be an architect. I understood early on how built space shapes our human experience. I channel this love of architecture into my work painting commissions for collectors who desire to bring those experiences into their home. We all have specific places (outdoors, indoors, public, private…) that hold an important …
When people find out I go to a figure drawing group on Wednesday nights, they sometimes ask, “Isn’t that weird? I mean, you’re there drawing, and the model isn’t wearing clothes??” Michelangelo is famous for celebrating the world’s creation his beautiful, statuesque nudes… and Church leaders are famous for, years later, painting loincloths over them. …
My Journey Home: How Art, Italy, and a Relic Led me to the Catholic Church I’m going to be on TV! Monday, July 18, 2016 at 8pm EST you will be able to watch my guest appearance on The Journey Home, Marcus Grodi’s weekly program on EWTN (Eternal Word Television Network). I will be sharing …
Orvieto was the birthplace for the feast of the Eucharist, called Corpus Domini, and one of the major feasts of the Catholic church. The Cathedral of Orvieto holds a treasure – a number of them, really, including frescos by Luca Signorelli, Gentile di Fabriano, and Fra Angelico. But its spiritual treasure is a relic from …
Orvieto: In my dreams I walk your streets and speak your language, walking the halls of ancient convents and eating at the table of dear friends. You are always my destination, though sometimes, like last night, the bus misses the turn to cross the river and ascend and we end up in a field …
My daughter Dalia Marie was born in January. The first part of her short life was snow-covered in what was the snowiest winter on record in Massachusetts. My first daughter Miriam turns three soon. She is realizing that “tomorrow” becomes “today”, that Daddy and Mommy go to work, but not the same work; and that we sometimes …
Hard to believe we are moving again less than a year after buying our first home! We didn’t mean to do that! My husband got a position with the Catholic organization The Coming Home Network and we are thrilled that he will be able to use his gifts to share the beauty and truth …
This painting – one of the newer ones in my series of Figurative Paintings reflecting on the Virgin Mary – is on its way to the Kreft Arts Center at Concordia University Ann Arbor to be included in the juried exhibit “Body and Soul”. Artworks in the exhibit can be viewed on the Kreft Arts …
Mary the Gate: Threshold of Salvation is now in the collection of the Center for Faith and Inquiry at Gordon College. I have been Artist-in-Residence there over the last couple of years and they have recently added this painting to their permanent collection. This painting was originally part of the paintings I created as Artist-in-Residence …
You’ve probably noticed that much of the subject matter of my work has Christian undertones – church architecture, references to the Virgin Mary, as well as to aspects of art history related to the Christian faith. If you have every wondered exactly where that comes from on a personal level, you can listen to this …
I recently was made aware of a fascinating project based out of New York which is trying to create an artwork for each verse of the Bible. Unlike other illuminated Bibles in history, Spark and Echo have not limited their media to 2D art only, but are also commissioning performances, musical pieces. The project is …
The Feast of the Annunciation was moved to April 8 this year, since March 25 fell during Holy week. The Annunciation celebrates the moment when the angel Gabriel announces to Mary that she will bear the Savior. This series of Annunciation master studies I have shared over the last months is about waiting, and the expectation of new life. At times this "new life" has been a metaphor for new beginnings, forgiveness, spiritual renewal, but in 2012 the time of waiting was literal, as I waited, in pregnancy, for my baby girl to be born...
On display now at the Ashland Public Library is a series of my prints and paintings entitled Convergence. The title "Convergence" has two origins, and these two meanings themselves "converge" in the paintings. In part, "convergence" describes how, in ecclesiastical architecture in particular, celestial and terrestrial converge in built space.
This Annunciation transcription will be included in the exhibit Compassion: The Good Samaritan, opening at Adams ArtSpace, Harvard College, Cambridge this weekend.
The Annunciation is the moment when God comes to earth – when human and divine come together to become incarnate in Jesus, Savior of the world. The Incarnation, God’s greatest act of compassion.
Appropriate to post another Annunciation transcription today, the Feast of the Archangels (Gabriel, Michael and Raphael). This particular Renaissance Annunciation infuses Classical architecture into the Biblical story of the Gabriel's announcement to Mary. The painting also shows off the artists' knowledge of perspective in the way that the artist places the angel in the foreground.
Concordia College -- New York in their Journey of Faith exhibit. This exhibit paired artists with churches in Bronxville, where the college is located, in order that the artist might create a work of art specifically in response to that space. I was pleased to be selected, and was paired with St. Joseph's Catholic Church in Bronxville.
Another in my series of Annunciation transcriptions. The original Mannerist painting was completed in 1546 by Italian Domenico Beccafumi and is currently in the little town of Sarteano near Siena, Italy. I'm not always a fan of Mannerism, but I like the mirrored swooping curves in this painting and the sense of motion it creates, so different from the very still, stable Annunciations of Fra Angelico.
A few weeks back we spent the weekend on Cape Cod for a little get-away. One of our excursions was to the Church of the Transfiguration in Orleans, Massachusetts. The Community of Jesus is an ecumenical Benedictine community made up of brothers (friars), sisters (nuns), and laypeople. They began building this testament of faith in 1997, hiring architects, liturgical consultants, and artists from all over the world to complete the narrative of salvation the building tells.
Another in my little "Annunciations from the Masters" series, from a predella by Fra Angelico, 15th century Florentine painter, who was also a Dominican brother. Graham Nickson of the New York Studio School says "the transcription endeavors to understand the nature of the original work.
What is the purpose of "copying" a work of art? Franklin Enspruch phrases it like this in a review of Wendy Artin's series of watercolors of the Elgin Marbles: "She is at once paying the sculptures due homage, studying them for artistic clues, and using them to reach upward in ambition and scale."
Somehow, in entering in to someone else's creation, one often emerges at the other end with a clearer, renewed sense of voice and direction.
I love the brilliant blue and of Mary and her contemplative gaze in the Annunciation altarpiece by Ambrogio Lorenzetti. Lorenzetti was a Sienese painter in the first half of the 14th century and this work of his is presently housed in the Pinacoteca Nazionale in Siena, Italy. My version is tiny, only 6" x 6", but I'm looking for the contemplative quality he captures.
My latest studio project is making "transcriptions" of some of the classic Annunciation paintings of art history. The Annunciation has been one of my favorite images for many years. In seeking to make some of these images of Mary new in my paintings, I have taken on a studio exercise which is also a bit of a meditation.
These paintings are a metaphor for the struggle of my own experience to know Christ and seek to become more like his mother Mary. The metaphors in this poem, and others found throughout art history, continue to open my understanding of Christ’s relationship with his mother.
The Olympics are always an Event: even non-sports fans like me turn on their televisions to watch the grace, strength, speed and beauty of what the human body can accomplish. The passing of the torch leading up to the Olympics is also a moving part of the event; it is expressive of our human journey on this earth, of friendship across nations, and fraternity even in competition. I am excited to be included in a digital exhibit which will be released in tandem with the London Olympics.
epiphany (i pif e nee)
I can identify with the magi. They were looking for truth, seeking some sort of center, some sort of knowledge, some sort of anchor.
Some recent paintings and drawings of Saint Peter's Basilica in Rome, on the occasion of the beatification of Pope John Paul II. John Paul II prayed for a "Primavera dello Spirito": a Springtime of the Spirit. His prayer for a "Springtime of the Spirit" was answered in a multitude of ways, from the flood of youth who attended the World Youth Days (which he began).
The theme of the winter issue of Ruminate magazine was "Sound and Silence", and I was pleased that two of my prints and one of my paintings were chosen to as a visual representation of the theme. Sojourners Magazine’s Julie Polter recently said Ruminate has “staked a claim in the publishing borderlands where grit and religious devotion".
My latest church interior painting is to benefit the local parish of St. Thomas Aquinas in Jamaica Plain, several miles from where I live. What you see is the skeletal “work in progress” – still much to be done!
On Friday I made a little trip to see a cycle of paintings by Gordon Goetemann at Andover-Newton Theological School in Newton Center, MA. The cycle of large paintings is inispired by Gustav Mahler's 2nd Symphony in C Minor -- the "Resurrection" symphony. I had found out about it from a friend who had seen the show at the Cape Ann Museum in Gloucester. We were both interested in it because of the time we spent in Orvieto, where there are two great artworks representing the Resurrection of the Flesh...
Cardus has just published another of my paintings in their online journal Comment.
Our Lady of the Barren Tree is an image of hope: the strange beauty of winter, in which it requries faith to believe that trees and grass are only "sleeping" and will return with new life and growth.
The tree, the vine, the branches – these images evoke the memory of Eve in the garden of Eden whose disobedience eventually brought on the exile of humanity from paradise. Eve's disobedience was eventually redeemed in the act of Mary’s obedient “May it be to me as you have said”.
Since New Year’s Day is the Feast Day of Mary Mother of God – a holy day in the Catholic church, it is appropriate to share this hymn which was the inspiration for many of the paintings I made this past year. Mary the dawn, Christ the perfect day; Mary the Gate, Christ the heavenly …
I have begun two new paintings (and have two already in process) to work on this week in the chapel at Valparaiso University. The chapel at Valpo was built in 1959 and is a masterpiece of modern architecture -- it is a landmark for the area.
Friday of the second week of our stay in Orvieto we spent a day in Rome, always an amazing experience. In the morning I went to the Villa Borghese museum with a small group of students to see the special Francis Bacon-Caravaggio exhibit.
Before leaving for Italy next week I have been very intensely preparing work for an Artist-in-Residency at Valparaiso University in Valparaiso, Indiana.
