My newest Marian painting “Interrogatio: Inquiry” depicts that moment of questioning “How can this be?” when the angel announced the Christ’s coming to Mary at the Annunciation. Mary’s vulnerability before God is represented here by the nude female figure. The grand space of the architecture represents God’s overpowering presence. The architecture also becomes a metaphor for Mary herself, often referred to in medieval texts as the Temple or dwelling place of the Lord because of her role in the Incarnation.
Since I recently began painting figures on metal leaf , I thought the “Red, White and Blue” exhibit would be a good moment to continue the challenge. In the drawings I leave the backgrond completely blank, allowing the lines to carry all of the expressive power of the figure. In a similar way, in the gold silhouettes I am using the gold for the negative space.
My newest series of Gold Silhouette paintings are meant to be contemporary icons, modern interpretations of traditional icons. Whether architecture or figure, even landscape, my work has always centered on a theme of convergence between heaven and earth. Similarly, these new mixed media pieces juxtapose the expressive minimalist quality of my figure drawings with the other-worldly materials of metal leaf and paint inspired by iconography.
One of the miracles of creative collaboration is the momentum it creates, continuing to create new work beyond what was originally envisioned. After the model session, once my drawing was photographed and titled and shared, Olivia wrote this poem in response to the drawing.
The group of yoga illustrations can be viewed at: https://www.instagram.com/explore/tags/33yogiillustrations/. A beautiful collection of artworks inspired by Katy Sainz’s Instagram feed, it really becomes an art exhibit, just like a group show in a gallery exhibit it is organized around a theme.
In every model, old or young, large or small, male or female, I see one God’s amazing creations. In the process of drawing I try to capture just one small portion of the magnificence, delicacy, and beauty of what He made.
This summer has been a wonderful summer for figurative art – both in my own work and in Boston! I have been regular attending a few figure drawing groups and really enjoying the opportunity to really engage with the figure outside the classroom. I have been so busy the last couple of years teaching my figure classes that I haven’t actually taken much opportunity.