Category

Virgin Mary

Annunciation/Birth

By | Art and Faith, Painting, Virgin Mary | No Comments

figurative,oil on canvas,8x8, price $300,Annunciation after Solario

The Feast of the Annunciation was moved to April 8 this year, since March 25 fell during Holy week. The Annunciation celebrates the moment when the angel Gabriel announces to Mary that she will bear the Savior. This series of Annunciation master studies I have shared over the last months is about waiting, and the expectation of new life. At times this “new life” has been a metaphor for new beginnings, forgiveness, spiritual renewal, but in 2012 the time of waiting was literal, as I waited, in pregnancy, for my baby girl to be born…

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Annunciation after David by Michelle Arnold Paine

Annunciation after David

By | Art and Faith, Exhibits and Events, Painting, Virgin Mary | No Comments

This Annunciation transcription will be included in the exhibit Compassion: The Good Samaritan, opening at Adams ArtSpace, Harvard College, Cambridge this weekend.

The Annunciation is the moment when God comes to earth – when human and divine come together to become incarnate in Jesus, Savior of the world. The Incarnation, God’s greatest act of compassion.

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Annunciation after del Cossa

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Appropriate to post another Annunciation transcription today, the Feast of the Archangels (Gabriel, Michael and Raphael). This particular Renaissance Annunciation infuses Classical architecture into the Biblical story of the Gabriel’s announcement to Mary. The painting also shows off the artists’ knowledge of perspective in the way that the artist places the angel in the foreground.

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Annunciation after Beccafumi, Oil on Canvas, 6x6 ©2012

Transcriptions: After Beccafumi

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Another in my series of Annunciation transcriptions. The original Mannerist painting was completed in 1546 by Italian Domenico Beccafumi and is currently in the little town of Sarteano near Siena, Italy. I’m not always a fan of Mannerism, but I like the mirrored swooping curves in this painting and the sense of motion it creates, so different from the very still, stable Annunciations of Fra Angelico.

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Annunciation after Duccio, Oil on Canvas, 6x6, ©Michelle Arnold Paine

Annunciation after Duccio

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What is the purpose of “copying” a work of art? Franklin Enspruch phrases it like this in a review of Wendy Artin’s series of watercolors of the Elgin Marbles: “She is at once paying the sculptures due homage, studying them for artistic clues, and using them to reach upward in ambition and scale.”

Somehow, in entering in to someone else’s creation, one often emerges at the other end with a clearer, renewed sense of voice and direction.

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Oil painting Annunciation after Lorenzetti ©Michelle Arnold Paine 2012

Annunciation after Lorenzetti

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I love the brilliant blue and of Mary and her contemplative gaze in the Annunciation altarpiece by Ambrogio Lorenzetti. Lorenzetti was a Sienese painter in the first half of the 14th century and this work of his is presently housed in the Pinacoteca Nazionale in Siena, Italy. My version is tiny, only 6″ x 6″, but I’m looking for the contemplative quality he captures.

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Our Lady of the Barren Tree

The Call to Beauty –

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Cardus has just published another of my paintings in their online journal Comment.

Our Lady of the Barren Tree is an image of hope: the strange beauty of winter, in which it requries faith to believe that trees and grass are only “sleeping” and will return with new life and growth.
The tree, the vine, the branches – these images evoke the memory of Eve in the garden of Eden whose disobedience eventually brought on the exile of humanity from paradise. Eve’s disobedience was eventually redeemed in the act of Mary’s obedient “May it be to me as you have said”.

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Teaching in Italy — Soon!

By | Teaching, Virgin Mary | No Comments

This is one of those days I would love to be back in Italy – it is warm, but not too warm, but somehow the lure of my suburban street is not as strong as the lure of an Italian street – when I am there I am always pulled outdoors to smell and see and greet and experience some one or some thing that is “new”. But part of the lure is that there is so much that is not new – it is the very, very old which is so appealing.

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